Khaled DAWWA, Tyrant Figures. 18 Bronze sculptures.

From 28 April to 12 June - Galerie Claude Lemand

  • DAWWA, Apathie.

    Apathie, 2018. Original bronze, 30 x 28 x 24,5 cm. Signed, dated and numbered by the artist. Limited Edition of 8 + 4 AP. © Khaled Dawwa. Courtesy of Galerie Claude Lemand, Paris.

  • DAWWA, Vos Excellences.

    Vos Excellences, 2020. Original bronze, 30 x 27 x 28 cm. Signed, dated and numbered by the artist. Limited edition 8 + 4 AP. Fusions fonderie d'art. © Khaled Dawwa. Courtesy Galerie Claude Lemand, Paris.

  • DAWWA, Stabilité relative ou Ruine.

    Stabilité relative ou Ruine, 2021. Original bronze, 32 x 25 x 24 cm. Signed, dated and numbered by the artist. Limited edition 8 + 4 AP. Fusions fonderie d'art. © Khaled Dawwa. Courtesy of Galerie Claude Lemand, Paris.

Khaled DAWWA, Tyrant Figures. 18 Bronze sculp­tures.

Figures of tyranny

Through his 18 bronze sculp­tures, Khaled Dawwa erects the fig­ures of men of power who have become tyrants, eaten away by their will to power. Fat, deformed men, some­times without legs or without arms, sunk on thrones. They stare straight ahead, with closed faces, dis­dainful eyes, puffed up with pride, insen­si­tive and brutal dic­ta­tors.

These mon­strous fig­ures do not only evoke the regime of the Syrian tyrants Hafez and Bashar Al-Assad. “Of course I try to rep­re­sent, as I see it, this dic­ta­to­rial regime. Before 2000, there were statues of Hafez Al-Assad every­where in the country. This is a problem for me, with regard to my per­sonal his­tory, but it is also a problem for more than half of the coun­tries on our planet.”

Khaled Dawwa’s sculp­tures show the vio­lence of power, its ugli­ness and its per­ver­sion; a dom­i­nant male figure, who has become obese due to his greed. These sculp­tures are out­lets. They are rid­dled with holes, until they are dis­fig­ured, the bodies are dam­aged, as necrotic. Deadly for those who suffer it, the abuse of power is also deadly for those who exer­cise it, as if seized by the phys­ical impos­si­bility of extracting them­selves from a throne too small for them and con­demned to pro­gres­sive decom­po­si­tion. . “The holes you see in my works, almost like shrapnel, are the result of my expres­sion of fragility, of wear and tear. They were, at one point, my only outlet for my per­sonal frus­tra­tions at the cor­rup­tion and dev­as­ta­tion that sur­rounded me, and my own help­less­ness in the face of those respon­sible for it. I spent long hours per­fo­rating sculp­tures. »

However, nothing can be done, despite all these holes that deform them, the sick of power remain clinging to their seats, seeming to resist the attempts at destruc­tion aimed at them. "They are the image of a fragile power, but they are there, which will not fall imme­di­ately", sum­ma­rizes Khaled Dawwa. Hope exists, but it is still uncer­tain and dis­tant.

Copyright © Galerie Claude Lemand 2012.

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