Assadour. From Chaos to Harmony. Recent Paintings.

From 27 September to 27 October 2012 - Galerie Claude Lemand

  • Assadour, Quadriptych.

    Quadriptych, 1988-2010. Oil on canvas, 120 x 120 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Assadour. Courtesy Galerie Claude Lemand, Paris.

  • Assadour, Personnages polychromes avec un paysage.

    Personnages polychromes avec un paysage, 2005. Oil on canvas, 120 x 120 cm. Donation Claude & France Lemand. Musée, Institut du monde arabe, Paris. © Assadour. Courtesy Galerie Claude Lemand, Paris.

  • Assadour, Figure in a circle.

    Figure in a circle, 2006. Gouache on paper, 38 x 28 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Assadour. Courtesy Galerie Claude Lemand, Paris.

  • Assadour, Personnage polychrome avec un paysage.

    Personnage polychrome avec un personnage, 2009. Oil on canvas, 114 x 146 cm. Private Collection. © Assadour. Courtesy Galerie Claude Lemand, Paris.

Gérard Xurguera. “As­sadour the secret, prince of encryp­tion, with a tem­pered yet pas­sionate nature, appears as the most metic­u­lous master of images, which he inter­locks, untan­gles, clots, sep­a­rates again and finally fuses into one same sub­stance. His layout is inge­niously inscrutable yet nothing has been ran­domly placed. Everything is so pre­cise in this chaos which is very well thought out, that Assadour does not seem to destroy all the codes but rather sub­sti­tutes them with his own.”

Claude Lemand. “Born in 1943 in Lebanon, Assadour left Beirut in 1963 when he obtained a schol­ar­ship to go study engraving and painting first in Italy and then in Paris. For a long time he was well-known as a master of con­tem­po­rary engraving. Yet at the same time, he pro­duced a rich and pro­lific oeuvre of tem­peras on paper and oils on canvas. The latter are very rare and sought after as Assadour exe­cuted very few paint­ings on canvas even though he was a hard-working artist. He par­tic­i­pated to many exhi­bi­tions in gal­leries throughout Europe, Korea, Japan and Lebanon, and his work has been dis­played in inter­na­tional art fairs as well as in ret­ro­spec­tive shows in European Museums (Germany and Italy). Assadour man­aged to develop his own uni­verse by finding inspi­ra­tion in two art trends which attracted him and left a strong impact on him, the Bauhaus’ Constructivism and the Parisian Surrealism.”

Copyright © Galerie Claude Lemand 2012.

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