PHOTOS & VIDEOS of the LEMAND DONATION - DAHMANE.

From 17 September to 8 November 2020 - Museum. Institut du monde arabe.

  • Dahmane, Circé, Chassériau.

    Circé, Théodore Chassériau, 2015. Original photomontage, printed on baryta paper, signed and numbered by the artist, 42 x 59,4 cm. Edition of 7 + 2 AP. © Dahmane. Courtesy Galerie Claude Lemand, Paris.

  • Dahmane, Yasmine, Eugène Fromentin.

    Yasmine, Eugène Fromentin, 2016. Original photomontage, printed by the artist on baryta paper, 42 x 59,4 cm. Signed and numbered by the artist. Edition of 7 + 2 AP. © Dahmane. Courtesy Galerie Claude Lemand, Paris.

  • Dahmane, Melinda, Puvis de Chavannes.

    Melinda, Puvis de Chavannes, 2016. Original Photomontage, printed on baryta paper, 42 x 59,4 cm. Signed and numbered by the artist. Edition of 7 + 2 AP. © Dahmane. Courtesy Galerie Claude Lemand, Paris.

  • Dahmane, Yasmine, Charles Emile de Tournemine.

    Yasmine, Charles Emile de Tournemine, 2016. Original photomontage, printed by the artist on baryta paper, 42 x 59,4 cm. Signed and numbered by the artist. Edition of 7 + 2 AP. © Dahmane. Courtesy Galerie Claude Lemand, Paris.

  • Dahmane, Vanessa, Théodore Chassériau.

    Vanessa, Théodore Chassériau, 2016. Original Photomontage, printed by the artist on baryta paper, 42 x 59,4 cm. Signed and numbered by the artist. Edition of 7 + 2 AP. © Dahmane. Courtesy Galerie Claude Lemand, Paris.

PHOTOS & VIDEOS of the LEMAND DONATION - DAHMANE.

Donation Claude & France Lemand, 2020.
Museum, Institut du monde arabe, Paris.

– Circé, Jean-Etienne Liotard, 2015.
– Circé, Théodore Chassériau, 2015.
– Vanessa, Théodore Chassériau, 2016.
– Melinda, Pierre Puvis de Chavanne, 2016.
– Yasmine, Charles Antoine Cambon, 2016.
– Yasmine, Eugène Fromentin, 2016.
– Yasmine, Charles Emile de Tournemine, 2016.
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Claude Lemand:
" Gallerist and col­lector, I was not sen­si­tive to pho­tog­raphy as a work of art, I tended to con­sider it as a par­tic­ular kind of print, too fragile, ... although I was very attracted by the his­tory of pho­tog­raphy in the 19th cen­tury and through the research of cer­tain big names of the 20th cen­tury and those of con­tem­po­rary artists, who knew how to create a real world of their own, orig­inal, like real cre­ative "artists".

Dahmane’s works, his por­traits as well as his breath­taking pho­tomon­tages, con­vinced me that I was in the pres­ence of a real artist pho­tog­ra­pher. Adept of tech­nical per­fec­tion and pos­sessed, from his ado­les­cence and his first steps in this art, by the rich and mul­tiple image of young adult women, par­tially or totally naked, pho­tographed out­side or inside, proud women to be cel­e­brated for the plastic beauty of their bodies."

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